Spring 2026

New LP vinyl album out – ATHANOR – Rhys Chatham & Nico Guerrero

Athanor brings together American composer Rhys Chatham, a pioneering figure of minimalism and post-minimal guitar music, and French composer/guitarist Nico Guerrero in a radical instrumental dialogue conceived as a process of sonic transmutation rather than a conventional collaboration.

Across its extended duration, flutes, electric guitars and altered tunings are fused into a single evolving body of sound. Alto and bass flutes trace slow currents of breath and air, while the electric guitar is stripped of gesture and reconstituted as harmonic clusters, unfolding into dense spectral fields. Later, both guitarists converge into a sustained unison drone, with the Rhys Chatham’s instrument tuned in Pythagorean intonation, generating beating frequencies, pitch friction and widening harmonic instability.

What begins as alignment gradually liquefies, opening into a vortex where resonance overtakes pitch and ghost harmonics surface as autonomous presences.

Rather than developing themes, the music operates through pressure, duration and accumulation. Sound is held inside a closed vessel, heated slowly until its internal structures are forced to reveal themselves. Breath, metal and electricity collapse into a continuous resonant matter, where tone, noise and vibration become interchangeable states. The listener is not positioned outside the music, but drawn into its internal turbulence, navigating thresholds of perception.

Named after the alchemical furnace, Athanor unfolds as a disciplined ritual of transformation. Its esoteric dimension lies in method rather than metaphor; Tuning as cosmology, repetition as incantation, resonance as a means of accessing hidden orders.

The mastering by Australian composer and sound artist Lawrence English acts as the final alchemical seal — refining, amplifying and transmuting the material into a heightened sonic presence, as if an additional layer of invisible fire had been applied.

A music of liminal states, where matter vibrates long enough to disclose what usually remains concealed.

Out on Erototox Decodings (12″ vinyl LP + digital) :
https://rhyschathamnicoguerrero.bandcamp.com/album/athanor

Winter 2025

The Battleship Potemkine, a 1925 epic silent film directed and written by Eisenstein is widely considered one of the greatest films of all time.

So I was honored when La Cinématheque française invited me to provide a live soundtrack to a screening of the film on Thursday 27 February, which we will do in my favorite key: the key of E, whose associated color is RED !

I’m pleased to play with these fabulous musicians:

Rhys Chatham: direction/guitare
Tara Clamart: Guitare
Nico Guerrero: guitare
Romane Mialon: guitare
Michèle Santoyo: guitare
Jean-François Pauvros: guitare
Myriam Stamoulis: Basse
Camille Raulet: batterie

Here are the details:

Le Cuirassé Potemkine
Jeudi 27 fév 2025 – 21h00
Salle Henri Langlois
La Cinémathèque française
51 Rue de Bercy, 75012 Paris
Métro Bercy

https://www.cinematheque.fr/film/40279.html

Tickets 7€

Summer 2024

We kicked off the summer with a private performance in the Paris region of a new piece for 60 electric guitars. Since then, I’ve been working on a version of this piece for 8-12 electric guitars. As soon as its finished we’ll schedule a performance in Paris; watch this page for an announcement.

As some of you may know, I’m also a professional astrologer (https://rhysastrology.fr) specializing in traditional astrology (ancient/medieval/renaissance). Much of the summer was devoted to an intense study of the work of the medieval astrologers Abu Ma’shar and Sahl B. Bishr at my usual summer retreat in the French Pyrenees, but while I was there, I did a series of podcast interviews with Dennis Young of Liquid Liquid.

I’ve posted them below. Each interview is about 45-minutes long:

Part 1: Click here for YouTube link. The link will open in a new window.

I was interviewed by Dennis Young of Liquid Liquid for his music podcast. This is Part 1 of a three or perhaps even a four-part series.

I talk about my early influences and musical activities up to CBGB and the mid-seventies. In Part 2 we’ll start with the Ramones and Talking Heads at CBGB, and take things from there.

Part 2: Click here for YouTube link.

Dennis Young of Liquid Liquid has been doing a series of podcasts with me. In Part 1 we talked about my early beginnings with music, which were largely classically influenced.

Here is a link to Part 2. We speak about the punk and no wave scene in downtown NY of the mid to late 70s. We start with CBGB and Max’s Kansas City and finish with Guitar Trio (G3) and Drastic Classicism, with a lot of talk (and people!) in between!

Part 3: Click here for YouTube link.

Here is Part 3 of the podcast Dennis Young of Liquid Liquid did with me. Dennis gives the description of what we covered:

“A great podcast as Rhys spoke about his early days in New York City in the 1970’s playing and learning from the likes of La Monte Young &Terry Riley in the world of avant-garde music! In this podcast we talk about Rhys’ time playing with his music in the early 80’s playing with Peter Gordon, Arthur Russell in the Love of Life Orchestra, and his time playing at CBGB’s and Max’s Kansas City.”

Part 4: Click here for YouTube link.

Here is the final part of the interview Dennis Young of Liquid Liquid did with me for his podcast.

In Part 4 we talked about the two albums I put out on Ninja Tune in the nineties, one album with Martin Wheeler and the other with Jonathan Kane and Danny Hamilton. We also discussed a CD that came out on the Wire Editions with Gary Smith, Pat Thomas and Mieko Suzuki.

We review my first piece for 100 electric guitars from 1989, An Angel Moves to Fast to See with Jonathan Kane on drums and Ernie Brooks on bass, and then we had a long discussion about Jeff Hunt, Tony Conrad and the Table of the Elements Records, who put out virtually all of my work from the early seventies to the early 2000s.

We discussed their release of the Paris version of Crimson Grail, and how Jeff Hunt organized a 12-city tour of Guitar Trio in the States, resulting in the release of Guitar Trio is My Life on Table of the Elements Records. We also spoke of the outdoor version of Crimson Grail at Lincoln Center, which appeared on a double bill with Liquid Liquid! We finished the interview by speaking of my recent collaborations with Charlemagne Palestine, Ghédalia Tazartès, released on SubRosa, with Oneida on Northern Spy, with Zev on EntreFer Records, , David Fenech on Klang Gallerie, and a forthcoming release with Nico Guerrero on Erototox Decondings.

—ooOoo—

Summer 2022

As always, I am doing my yearly migration to the south of France in a little hamlet in the Pyrenees, not far from Perpignan. I have my music studio set up, where I work amoung the mountains, trees and dramatic sky!

I have been working on a new solo for live instruments and electronics. Here is a seven minute piece I made here recently for trumpet:

This new solo program can be anywhere from 20-minutes to an hour of music and optional visual elements, featuring me playing electric guitar, trumpet, flutes and live electronics..

Here is a quick sample of the guitar sound I’m currently working on in the context of the new solo:


If you are interested in booking the new solo (or any of my other projects), you can contact me directly here. Or at my booking agency, Julie Tippex Arts and Music.