September 2018 Rhys Chatham update:

Rhys Chatham currently works with
Julie Tippex Art & Music Agency

For European bookings you can contact
Pascal Tippex at

For worldwide bookings and general information
you can contact us at

Coming up next:

Robert Longo and I will again collaborate on the Eisenstein version of G3 (Guitar Trio). The date will be Friday, 28 September at 9pm.

The performance will be at the Captain Petzel Gallery in Berlin in the context of the opening of robert’s show there, entitled “Everything Falls Apart”.

Here is a link to all the information:

and here is who will be playing:
Electric guitars: Rhys Chatham, Robert Longo, Knox Chandler, Julia Reidy, Robert Engelbrecht, Alexa Disaster.
Electric Bass: Alex Kozmidi
Drums: Olve Strelow


Most recent performance: my solo performance of Pythagorean Dream on Saturday, 22 September 2018 at the Fort Process Festival in the UK in East Sussex.

On this festival, among many wonderful acts, there was one of my favorite composers of electronic music, Ned Rush!

Here is the address: Newhaven Fort, Fort Road, Newhaven, East Sussex, BN9 9DS, United Kingdom.
Here is a link to the event:
And here is a link to the lineup:

And now, for other news:

Every summer, my partner and I move our respective studios, my partner with her brushes and easels, me with my computers, Abbleton Live, Logic, Sibelius and Finale, and we go to the south of France and stay in a hamlet about 30km from Céret.

We had a great summer, which I spent working on a book about my years as a music producer at the Kitchen Center in New York during the seventies. I’ve been posting individual segments of the book on my FaceBook page.

In order to set a context for the issues that downtown composers were working on during the seventies I went all the way back to the birth of the twelve-tone row, tracing its development through serialism and post serialism. then moving on to early minimalism in New York, and finally recounting my adventures in Morton Subotnick’s electronic music studio at New York University, when the studio was on Bleeker Street in Manhattan.

I left things there, and next week I hope to take things up again by writing about the first concerts we did at the Kitchen, when it was on Mercer Street.

After returning to Paris Ghédalia Tazartès and I have been working on a duo set, which we recently performed for the first time at a private and informal concert here in Paris.
I first met Ghédalia in New York, I think the last time I saw him in the flesh was at a concert at CBGBs in the late 70s, so when we first got together to work up a set, I wasn’t sure what to expect, and it was for SURE that HE didn’t know what to expect, as the last time he saw me it was with an electric guitar band at CBGBs!

Happily, our first rehearsal was absolutely magical, it was as if our music were made for each other and as if we had been playing together for years.

Fortunately, Benoît Lesieux was there to record it, here is a link to what he filmed:

For worldwide bookings you can contact us at

Rhys Chatham currently works with Julie Tippex

For European bookings you can contact Pascal Tippex at

Performance with Les 100 guitares in Le Havre, 23 June 2018

photo: Jean-Luc Nail

We had a wonderful performance of a new work for les 100 guitares, entitled Flamme d’Alban, which was realized on the evening of the summer soltice, 23 June 2018 in Le Havre.  I will be writing more about this event shortly.

Here is a link to some interviews with the guitarists who participated (in French, includes full color photographs):


Recruiting guitarists for G100 event in Le Havre – 23 June 2018

We are mounting “Les 100 guitares” this June 23 in Le Havre, France. It’s going to be outside and on the beach, a highly pagan fire festival with 100 electric guitars, and HUGE bonfires!

If you are interested in participating as a guitarist, here is a link to where you can sign up :

Guitaristes, participez à une aventure musicale grandiose !

The rehearsals will be in French, but I will be conducting the rehearsals, and I have a heavy anglophone accent when I speak French, so you will be able to understand me!

Le CEM et le GIP Un été au Havre présentent dans le cadre de l’ouverture de « Un été au Havre 2018 » « Flamme d’Alban Hefin » pour 100 guitares électriques (et plus) de Rhys Chatham le 23 juin à 23h à la plage du Havre.

Rhys Chatham fait partie de ces compositeurs dits « minimalistes ». Au milieu des années 1970, il a travaillé aux côtés d’expérimentalistes soniques tels que Philippe Glass, La Monte Young et Steve Reich à New York. Son univers musical a été bouleversé quand il découvre le premier album éponyme des Ramones. Et c’est ainsi que Rhys Chatham a réuni les deux univers musicaux qui le passionnaient au sein d’une même volonté : celle de créer des œuvres musicales à base d’expérimentation, de répétitivité et de murs de guitares.


Concert in the exhibition PROOF


On Friday 6. April, Rhys Chatham and Robert Longo perform together with seven other musicians Chathams composition “Guitar Trio” in the context of Robert’s exhibition: PROOF. Make a reservation now! The musicians playing are friends Rhys has known for years, as well as some new ones.

On electric guitars: Rhys Chatham, Robert Longo, Jeff Turek, Martin Richter, Wigand Koch, Lars Zwickies, and Robert Engelbrecht. On the electric bass: Matthais Schönebäumer, and on drums, Olve Strelow.

Link to ticket and venue info

Guitar Trio at the Brooklyn Museum on December 7, 2017

Performance: Guitar Trio with Rhys Chatham, Robert Longo, Ernie Brooks, Karen Haglof, Jason Bartell, Jonathan Kane, Jon Kessler, and Lee Ranaldo.

Thursday, December 7, 2017

7 pm

Iris and B. Gerald Cantor Gallery, 5th Floor

Experience the works on view in Proof: Francisco Goya, Sergei Eisenstein, Robert Longo in a new way with this one-of-a-kind concert. Rhys Chatham, a composer and instrumentalist who “pioneered the fusion of avant-garde minimalism with the electric crunch of punk rock,” performs his influential 1977 composition Guitar Trio in the gallery as an intense and ephemeral soundtrack to Sergei Eisenstein’s silent films. Chatham is joined in the ensemble by Robert Longo and a group of local musicians including Ernie Brooks, Karen Haglof, Jason Bartell, Jonathan Kane, Jon Kessler, and Lee Ranaldo.

Seated tickets are $30 ($25 for Members) and include Museum admission. To receive the Member code, email with your full name and Membership ID. Not a Member? Join today!

This program is generously supported by NU Hotel.

Questions about this event? Email us at

Rhys plays Pythagorean Dream at Maieirdig Music Festival 1-4 December 2017

The MADEIRADIG Festival is a unique adventure in extraordinary music. Each December the Portuguese island – celebrated as a ‘paradise island’ and ‘floating garden’ – is transformed into a hotbed of digital art and culture.

This is an avant garde journey through the world of serious music. Program/Line-Up 2017:

Friday, 01.12.2017 | 21:30
• Carl Stone (US)
• The Necks (AU)
+ Aftershow with Frank D’Arpino (DE) | 00:00

Saturday, 02.12.2017 | 21:30
• Ectoplasm Girls (Sweden)
• NaN Collider + Miguel Pedro (Portugal)
+ Aftershow with Shins-K (JP) | 00:00

Sunday, 03.12.2017 | 21:30
• Greg Fox (US)
• Rhys Chatham (France/US)
+ Friends & Family Night | 00:00

Monday, 04.12.2017 | 21:30
• Maja S. K. Ratkje (Norway)
• Laraaji (US)
+ Aftershow with Daniel Meteo & Michael Rosen (DE) | 00:00

MADEIRADiG / 1-4.12. / Music |

2-day G3 workshop in Madrid – 25, 26 November

Two day Guitar Trio workshop in Madrid on 25, 26 November 2017
at Matadero Madrid, Centro de Creacion Contemporanea.

photo: Phil Mackie

Details here (in Spanish):

Rhys will be conducting a workshop explaining the special techniques and theory of his work, as well as instruction on how to play this seminal piece, Guitar Trio. The workshop will take place at Matdero Madrid, Centro de Creacion Contemporanea in Madrid, Spain on 25, 26 November 2017 and will culminate with a performance the day after the workshop.

Guitarists who play on a serious amateur level are welcome. The workshop is for amateurs who already know how to play guitar, and would like to learn the techniques used by Rhys Chatham.

Participants would need to attend the entire workshop on Day 1 in order to play in the performance on Day 2. Here is the content of the workshop:

Day 1
60 min – Introduction
Composer will introduce himself and talk about his history, working tactics, compositions, collaborations etc. leading into the composition of Guitar Trio, how it was composed, the history of the piece, how it works

30 min – Gear
Composer will discuss with the participants what guitars work for G3 and why acoustics, hollow body guitars etc. do not work. Talk about pics and sizes/weight, talk about choosing an amp for this, etc.

30-60 min – Tuning
Composer will talk about how to tune, how to work with a tuner, etc. Talk about special tunings in general and the different styles you work with for different pieces and specifically the G3 tuning. Will talk about overtones, how this relates to this piece etc. etc.

– Break –

1.5-2 hours – Playing Guitar Trio
Composers will work with the guitarist on how to play Guitar Trio

Day 2

30 min arrival / set up
2 hours – Playing / rehearsing G3 with live drummer and bassist
30 min – soundcheck

(Posted after the workshop, on 30 Nomber 2017)

Here is a nice video of the performances surrounding the workshop, including shots of the performance of guitar Trio at Matadero Madrid:


LA PLAZA EN INVIERNO 2017 from Matadero Madrid on Vimeo.